{"id":175076,"date":"2026-07-23T11:52:13","date_gmt":"2026-07-23T11:52:13","guid":{"rendered":"https:\/\/sumfinity.com\/?p=175076"},"modified":"2026-08-28T14:37:40","modified_gmt":"2026-08-28T14:37:40","slug":"parize","status":"publish","type":"post","link":"https:\/\/sumfinity.com\/lv\/travel\/parize\/","title":{"rendered":"Par\u012bze"},"content":{"rendered":"

Par\u012bze ir Francijas galvaspils\u0113ta, kas izvietota gar S\u0113nas upi un sadal\u012bta divdesmit arondismentos, kuri spir\u0101lveid\u0101 izple\u0161as no Luvras. Liel\u0101k\u0101 da\u013ca noz\u012bm\u012bgo vietu ir koncentr\u0113tas kompaktaj\u0101 centr\u0101: Luvra, Garnj\u0113 te\u0101tris un Tiuil\u0113ri d\u0101rzs labaj\u0101 krast\u0101, Ors\u0113 muzejs un Eife\u013ca tornis otrpus upei, k\u0101 ar\u012b Monmartrs ar Sakr\u0113-K\u0113r baziliku, kas pace\u013cas uz kalna zieme\u013cos.<\/p>\n

\"The<\/a>
No Galeries Lafayette terases redzams, k\u0101 saulrieta gaism\u0101 virs Par\u012bzes jumtiem mirdz Garnj\u0113 operas nams, bet pie horizonta slejas Eife\u013ca tornis.<\/figcaption><\/figure>\n

Luvra un Passage Richelieu<\/h2>\n

Luvra ir visvair\u0101k apmekl\u0113tais muzejs pasaul\u0113, un t\u0101s piram\u012bda tiek attiec\u012bgi bie\u017ei fotograf\u0113ta. Man svar\u012bgais kadrs tika uz\u0146emts klus\u0101k\u0101 viet\u0101: Passage Richelieu \u2014 segt\u0101 g\u0101j\u0113ju galerij\u0101, kuru liel\u0101k\u0101 da\u013ca apmekl\u0113t\u0101ju steidzas \u0161\u0137\u0113rsot ce\u013c\u0101 uz ieej\u0101m.<\/p>\n

Es to atkl\u0101ju nejau\u0161i, izn\u0101kot caur v\u0101rtiem p\u0113c tam, kad biju str\u0101d\u0101jis galvenaj\u0101 pagalm\u0101, un uzreiz sapratu. Zilaj\u0101 stund\u0101 pirms saull\u0113kta gaismek\u013ci gaite\u0146a iek\u0161ien\u0113 joproj\u0101m mirdz zeltaini, kam\u0113r piram\u012bda arku gal\u0101 k\u013c\u016bst zila<\/a> \u2013 gaisma tune\u013ca gal\u0101 div\u0101s kr\u0101su temperat\u016br\u0101s. Pat \u0113nas uz gr\u012bdas veido simetrisku trijst\u016bru un zvaig\u017e\u0146u rakstu. P\u0101ris stundas v\u0113l\u0101k \u0161\u0101du kadru vairs nav iesp\u0113jams iem\u016b\u017ein\u0101t.<\/p>\n

\"The<\/a>
Ri\u0161elj\u0113 gaite\u0146a simetrisk\u0101 kolon\u0101de zilo stundu laik\u0101, ier\u0101m\u0113jot gaite\u0146a gal\u0101 eso\u0161o zili izgaismoto Luvras piram\u012bdu.<\/figcaption><\/figure>\n

Garnier te\u0101tris<\/h2>\n

Palais Garnier, Par\u012bzes operas nams, tika projekt\u0113ts p\u0113c \u0160arla Garnj\u0113 projekta un ir viens no 19. gadsimta Par\u012bzes rakstur\u012bg\u0101kajiem pieminek\u013ciem. Kad fas\u0101de tika atkl\u0101ta, kriti\u0137i to noraid\u012bja k\u0101 p\u0101rsp\u012bl\u0113tu un p\u0101r\u0101k teatr\u0101lu; tom\u0113r skulpt\u016bru, moza\u012bku, kr\u0101sain\u0101 marmora un zelt\u012btu ornamentu kombin\u0101cija v\u0113l\u0101k k\u013cuva par paraugu operas namiem vis\u0101 pasaul\u0113.<\/p>\n

Lab\u0101kais skats uz to no aug\u0161as ir pieejams bez maksas: no Galeries Lafayette Haussmann jumta terases, kas ir atv\u0113rta veikala darba laik\u0101. No turienes es iem\u016b\u017ein\u0101ju operas namu saulrieta laik\u0101 ar Eife\u013ca torni pie horizonta<\/a>, saulei izlau\u017eoties cauri m\u0101ko\u0146iem virs jumtiem. Blakus eso\u0161\u0101 viesn\u012bca \u201eInterContinental\u201d un kafejn\u012bcas ap laukumu pied\u0101v\u0101 tuv\u0101kus skatus, ta\u010du neviena no t\u0101m nepar\u0101da pils\u0113tu aiz \u0113kas t\u0101, k\u0101 to dara terase.<\/p>\n

Monmartrs un Sakr\u0113-K\u0113r<\/h2>\n

Sacr\u00e9-Coeur no pils\u0113tas augst\u0101k\u0101 paugura raug\u0101s uz Par\u012bzi, un gar\u0161 objekt\u012bvs to par\u0101da vis\u0101 kr\u0101\u0161\u0146um\u0101: no att\u0101la jumta, izmantojot 345 mm fokusa att\u0101lumu, baltie kupoli pace\u013cas tie\u0161i virs skurste\u0146iem<\/a>, uztverot p\u0113d\u0113jos siltos gaismas starus, kam\u0113r zem\u0101k eso\u0161ie jumti atdziest un k\u013c\u016bst zili. Perspekt\u012bvas saspie\u0161ana liek bazilikai \u0161\u0137ist, ka t\u0101 atrodas tie\u0161i uz jumtu silueta, un tie\u0161i t\u0101 to uztver pils\u0113tas iedz\u012bvot\u0101ji.<\/p>\n

No tuvas distances tr\u012bs izgrebtie ieejas port\u0101li<\/a> atalgo paciet\u012bbu: pagaidiet br\u012bdi, kad nav cilv\u0113ku, un akmens st\u0101sta savu st\u0101stu. Zelt\u012btais uzraksts virs durv\u012bm liecina par bazilikas iesv\u0113t\u012b\u0161anu 1919. gada oktobr\u012b p\u0113c \u010detru desmitga\u017eu ilgas celtniec\u012bbas.<\/p>\n

\"Sunset<\/a>
Par\u012bze sav\u0101 klus\u0101kaj\u0101 br\u012bd\u012b. Tikai da\u017eas min\u016btes pirms saulrieta \u201eSakr\u0113-K\u0113r\u201d uztver p\u0113d\u0113jos siltos starus, kam\u0113r jumti iekr\u0101sojas v\u0113s\u0101s vakara to\u0146os.<\/p>\n<\/figcaption><\/figure>\n

Sacr\u00e9-Coeur iek\u0161pus\u0113<\/h2>\n

\u0100rpus\u0113 Monmartr\u0101 nekad neapst\u0101jas kust\u012bba. Iek\u0161\u0101 atmosf\u0113ra main\u0101s piln\u012bgi. Skats v\u0113r\u0161as uz aug\u0161u: mas\u012bvas akmens kolonnas, noapa\u013coti arki un gai\u0161ais kupols virs mirdzo\u0161\u0101s aps\u012bdas moza\u012bkas<\/a> \u2014 vienas no liel\u0101kaj\u0101m moza\u012bk\u0101m Francij\u0101, kur\u0101 Kristus izple\u0161 zelta rokas virs alt\u0101ra.<\/p>\n

KlUS\u0100KIE ST\u016aRIEM IR SAVAS ATSEVI\u0160\u0136\u0100S AINAS. S\u0101nu kapel\u0101, da\u017eus so\u013cus no galven\u0101s pl\u016bsmas, vitr\u0101\u017eas apgaismo marmora alt\u0101rgleznu ar baltu Madonu<\/a>, un so\u013cu atbalsis p\u0101rv\u0113r\u0161as par klusu \u010dalo\u0161anu. Un tur, kur liel\u0101k\u0101 da\u013ca apmekl\u0113t\u0101ju apgrie\u017eas atpaka\u013c, uz leju ved izliektas ka\u013c\u0137akmens k\u0101pnes: ieeja kript\u0101<\/a>, kuras balustr\u0101de ir izrot\u0101ta ar moza\u012bkas \u0123erbo\u0146iem, kas piesaista skatienu uz leju. Pati kripta parasti paliek nepaman\u012bta, un tie\u0161i tas ir t\u0101s pievilc\u012bgums.<\/p>\n

\"Sacre<\/a>
Sakr\u0113 K\u0113ra kupola interjers \u2013 mier\u012bgs skats zem bazilikas grandiozajiem arkiem, t\u0101lu no \u0101rpus\u0113, Monmartr\u0101, eso\u0161aj\u0101m p\u016bl\u0113m.<\/figcaption><\/figure>\n
\"L\u012bkumainas<\/a>
Ieeja Sakr\u0113-K\u0113ra kript\u0101 \u2014 kluss nolai\u0161an\u0101s ce\u013c\u0161 zem bazilikas.<\/figcaption><\/figure>\n

S\u0113na ruden\u012b<\/h2>\n

Septembris Par\u012bz\u0113 m\u016bs tur\u0113ja neskaidr\u012bb\u0101: lietus gandr\u012bz katru dienu, prognoze sol\u012bja vienmu\u013cu pel\u0113ku debesi. Ta\u010du ik stundu virs upes par\u0101d\u012bj\u0101s gaismas stari\u0146\u0161, un taj\u0101 vien\u012bgaj\u0101 vakar\u0101, kad tas piepild\u012bj\u0101s, es uztic\u0113jos instinktam, ko katrs fotogr\u0101fs apg\u016bst, izdarot gr\u016btas k\u013c\u016bdas. Kad laika apst\u0101k\u013ci \u0161\u0137iet neparedzami, sakrav\u0101 savu apr\u012bkojumu un dodies ce\u013c\u0101.<\/p>\n

Rezult\u0101ts ir mans m\u012b\u013c\u0101kais kadrs no \u0161\u012bs ce\u013cojuma: Burbonas pils<\/a>, ko ier\u0101m\u0113 zeltainas lapas<\/a>, uz\u0146emts no S\u0113nas lab\u0101 krasta, ar Eife\u013ca torni, kas pace\u013cas miglas pl\u012bvur\u0101 aiz t\u0101s. Nekas sl\u0113pts, nekas iepriek\u0161 izp\u0113t\u012bts, vienk\u0101r\u0161i viens no tiem upes st\u016br\u012b\u0161iem, kas tevi apbalvo, kad apst\u0101k\u013ci sakr\u012bt. Viss S\u0113nas krastu<\/a> posms 1991. gad\u0101 tika iek\u013cauts Pasaules mantojuma sarakst\u0101<\/a>, un t\u0101d\u0101 vakar\u0101 k\u0101 \u0161is tu saproti, k\u0101p\u0113c.<\/p>\n

\"Paris<\/a>
Par\u012bze ruden\u012b \u2013 zeltaina gaisma gar S\u0113nas upi pie Nacion\u0101l\u0101s asamblejas.<\/figcaption><\/figure>\n

Kad apmekl\u0113t Par\u012bzi<\/h2>\n

Liel\u0101k\u0101 da\u013ca cilv\u0113ku Par\u012bzi iedom\u0101jas pavasar\u012b. Rudens ir dom\u0101ts fotogr\u0101fiem. Dienas k\u013c\u016bst \u012bs\u0101kas, gaismas le\u0146\u0137i pazemin\u0101s, cilv\u0113ku p\u016b\u013ci retin\u0101s, un koki gar S\u0113nu k\u013c\u016bst zeltaini; pils\u0113ta maina savu izskatu ik p\u0113c piec\u0101m min\u016bt\u0113m. Septembr\u012b un oktobr\u012b j\u0101r\u0113\u0137in\u0101s ar lietu, un tas ir j\u0101uzskata par da\u013cu no piedz\u012bvojuma: lab\u0101kais apgaismojums m\u016bsu ce\u013cojum\u0101 par\u0101d\u012bj\u0101s da\u017eas min\u016btes p\u0113c lietusg\u0101zes.<\/p>\n

Pavasaris atnes zied\u0113\u0161anu un gada liel\u0101kos cilv\u0113ku p\u016b\u013cus. Vasara noz\u012bm\u0113 garas dienas, ta\u010du ar\u012b skarbu pusdienlaika gaismu un garas rindas. Ziema ir klusa, un \u201ezil\u0101 stunda\u201d iest\u0101jas civiliz\u0113t\u0101 v\u0113l\u0101 p\u0113cpusdien\u0101, kas padara to par vis\u0113rt\u0101ko sezonu nakts fotogr\u0101fijai.<\/p>\n

Fotograf\u0113\u0161ana Par\u012bz\u0113<\/h2>\n

Mana pirm\u0101 Par\u012bzes fotogr\u0101fija tika uz\u0146emta caur lidma\u0161\u012bnas logu 2021. gad\u0101, lidojot no Berl\u012bnes uz Lisabonu: visa pils\u0113ta vien\u0101 skat\u0101<\/a>, S\u0113na vij\u0101s caur to k\u0101 paraksts. Mums v\u0113l nebija izdevies to apmekl\u0113t, un m\u016bsu izvirz\u012btais m\u0113r\u0137is bija nofotograf\u0113t visas Eiropas galvaspils\u0113tas. Septembra ce\u013cojums, kura rezult\u0101t\u0101 tapa visas iepriek\u0161 min\u0113t\u0101s fotogr\u0101fijas, nosl\u0113dza \u0161o ciklu.<\/p>\n

Uz zemes Par\u012bz\u0113 darbojas tas pats princips, kas bija pamat\u0101 pilnajam Romas ce\u013cvedim<\/a>: zil\u0101 stunda pirms saull\u0113kta pagalmiem, augstums, kur vien tas ir br\u012bvi pieejams, un teleobjekt\u012bvs, lai pan\u0101ktu kompresiju, ko pastkart\u0113s nekad neizmanto. Interjeri atalgo l\u0113n\u0101ku darbu; t\u0101 pati paciet\u012bba, ko velt\u012bju Veita Stosa alt\u0101rgleznai Krakov\u0101,<\/a> atkal atmaks\u0101j\u0101s Sakr\u0113-K\u0113ra kapel\u0101s.<\/p>\n

\"Aerial<\/a>
Skats uz Par\u012bzi | Francija<\/figcaption><\/figure>\n